Wednesday 18 October 2017, 6–8pm
£5, £3 concessions
Free for Spike Associates
Part of Digital Bristol Week 2017
Exploring subjects from death in the digital age to gender stereotypes and sexuality, this year’s Jarman Award shortlisted artists are an eclectic group who resist being placed in a singular, defining box, and whose practices are as diverse as the field of moving image itself.
This screening includes works by Lawrence Abu Hamdan, Oreet Ashery, Adham Faramawy, Melanie Manchot, Charlotte Prodger and Marianna Simnett.
The Film London Jarman Award recognises and supports artists working with moving image and celebrates the spirit of experimentation, imagination and innovation in the work of emerging artist filmmakers. The Award is inspired by visionary filmmaker Derek Jarman.
This event is part of Digital Bristol Week 2017 (16 to 20 October 2017) which runs alongside the Festival of the Future City and Venturefest.
About the Artists:
Lawrence Abu Hamdan is an artist working across audio-visual installations, performances, graphic works, photography, Islamic sermons, cassette tape compositions, essays, and lectures. Abu Hamdan’s interest with sound and its intersection with politics originate from his background in DIY music. He has made audio analyses for legal investigations at the UK asylum Tribunal and advocacy for organisations such as Amnesty International and Defence for Children International.
Oreet Ashery is an interdisciplinary visual artist with unorthodox, multi-layered and eclectic practice spanning photography, moving image, mass-produced and unique artefacts, text, music, workshops and performance. Ashery’s work confronts ideological, social and gender constructions within the fabric of personal and broader contemporary realities.
Adham Faramawy is a London based artist working across moving image, sculptural installation and print. Faramawy often draws on the language of advertising, co-opting the special effects used to evoke desire for people, things and experiences. The artist combines these seductive devices of brilliance, slipperiness, morphing and repetition with his own interest in the transgressive aesthetics of ‘body horror’, found in manga and anime, as well as cult classic such as Cronenberg’s Videodrome (1983).
Melanie Manchot is a London-based visual artist working across photography, moving image and installation. Her long-standing areas of enquiry range from portraiture to participation and performance, to questions of individual and collective identities, and to the exploration of the very particular socio-economic and ecological microclimate of a specific alpine mountain and its community. Situated at the threshold between the documentary and staged events, Manchot’s work frequently involves an engagement with strangers.
Charlotte Prodger is a Glasgow based artist working with moving image across the ever-evolving formats that are inextricably bound to the autobiographical content of her work. Previous works combine video taken from YouTube with spoken text taken from internet forums and personal emails. The equipment used to play audio and video content is a vital part of Prodger’s work: Most recently, she has been making longer single screen works such as BRIDGIT, 2016, and Stoneymollan Trail, 2015.
Marianna Simnett is a London based artist working with moving image, installation and performance. In the most recent work, she treats her own body as one might play with their online avatar given the ephemerality and flexibility of its digital presentation. In The Needle and the Larynx, 2016, her voice is surgically lowered with Botox whilst she recites a grim parable about gender, nature and artifice.
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